Linda Died 57 Years Ago Today

Linda Died 57 Years Ago Today

Mrs. Cole Porter The Biggest Things Writing

Note: If you’d like to follow the progress of my book, follow Linda on Twitter, @MrsColePorter. Believe me, if Linda were alive today, she would totally use Twitter.

Linda Lee Thomas Porter died on this day, May 20, 1954. She died in her apartment in the Waldorf Towers after a long battle with emphysema.

Linda described her illness as “smothering spells.” Imagine that: smothering to death over the course of a decade. She once said, “I suppose I shouldn’t want to stop coughing as I have coughed for so many years, if I stopped, the shock might kill me.” Continue reading

Aesthetic Diversity + Imitation = My Short Story Class

Aesthetic Diversity + Imitation = My Short Story Class

Teaching Writing

In honor of National Short Story Month, I thought I’d share this course with you, a short story survey that focuses on imitations. I always include this picture on my syllabus, a visual representation of my pedagogical approach.

History-of-Rock-Chalkboard-16x10

In the film, School of Rock, Jack Black draws this diagram on the chalkboard as a prelude to teaching his students how to be a rock band. I tell my students that my course is about constructing a similar chart for contemporary short fiction, not simply to “label” styles or approaches, but because I want to teach my students how to have a comparative and genealogical conversation. Continue reading

A Novel Graduation Story

A Novel Graduation Story

Teaching

 

This week, I’ve invited my friend Sherrie Flick to describe the novel workshop she taught this past semester at Chatham University, and my former student Ben Gwin to talk about being a student in that course. A little backstory: in the fall of 2006, Ben was a student in my senior seminar in fiction at the University of Pittsburgh. I talk more about that class here. Ben started his novel, his Big Thing in my class, then kept writing, and was eventually accepted into the MFA program at Chatham University. Now he’s getting ready to graduate, and Sherrie is his thesis director, and she’s been keeping me updated on Ben’s progress and that of another former student of mine, Rich Gegick.

 

Points of View: A Dialogue Between Student and Teacher

By Sherrie Flick and Ben Gwin

SF: This semester I taught a novel writing workshop for the MFA students at Chatham University in Pittsburgh. My goals for this class were four-fold: Generate writing. Learn craft. Make progress as a group. Think and talk about novels, applying the discussions to the work at hand.

I wanted the class to operate less like a workshop and more like a studio (thinking toward a visual arts model, where craft and practice and modeling are pursued/explored actively each class). Continue reading

Kim Barnes’ Novel Club at University of Idaho

Kim Barnes’ Novel Club at University of Idaho

Teaching

Last week, I talked to Kim Barnes, who teaches a novel-writing course. This week, I’m talking to students who’ve taken (or are about to take) that course at the University of Idaho, a program which regularly offers a year-long novel workshop capped at six students.

Did you need this course in order to write a novel? If it hadn’t been offered, or if you’d ended up at a different program, would you have written your novel anyway?

Anesa: The pages I produced for Novel Workshop became part of the third novel I’ve written (the previous two still unpublished but dreaming of resurrection). So it’s likely I would’ve written the novel I recently completed even without the support and structure of workshop. It also would probably have been a longer and more agonizing process.

Annie: I came to the program with a novel in mind, and a short start to it, but without this class I think it would have taken me 15 years to actually write it. Continue reading