10 Things You Should Know about the Midwest Writers Workshop

10 Things You Should Know about the Midwest Writers Workshop

Writing

1.  The Midwest Writers Workshop, or MWW for short, happens in my town! A few miles from my house! Muncie, Indiana, July 26-28, 2012.

2.  MWW’s faculty this year includes a Pulitzer finalist, a paranormal romance YA author, four literary agents, a best-selling author of cozy mysteries, a poet/memoirist/indie publisher, and quite a few long-time editors and publishing professionals. Including Jane Friedman, who I’ve been following for three years (long before I moved to Muncie) and who I credit with saving my writerly butt from literary oblivion.

3.  MWW has been around for a long time: 39 years! Last year, I was on the faculty. This year, I’m the newest member of the Planning Committee. Some of the committee members have been working to make this conference happen for over 35 years. You can read more about the history here.

The Ball State Alumni Center.

4.  MWW is the only writers conference I know of that offers on-site, totally free “social media consulting”—a drop-in tutoring center where you can get your Facebook/Twitter/blogging act together.

5.  Veronica Roth, author of the best-selling, dystopian YA novel Divergent (which is really, really good) got her start at MWW. My fellow committee member Kelsey Timmerman also got his start at MWW. He attended a few years ago, pitched his idea to an agent, and thus his book became a reality: Where Am I Wearing: A Global Tour to the Countries, Factories, and People That Make Our Clothes. There are many other success stories.  

6.  Remember when I wrote about how anxiety-inducing AWP is? Anxiety + Community = AWP. MWW, on the other hand, is small, intimate, encouraging—nothing at all like AWP. It’s open to anyone. You don’t have to apply to get in or secure a letter of recommendation.

7.  Remember when I wrote this post about how much I hate it when people ask me “How do I get published?” Well, here is your answer: Expand your circles! Get thyself to a writers’ conference! Here are a few other good reasons to go to a writer’s conference.

Jane Friedman, middle, and MWW director Jama Bigger, right

8.  If you read this blog because you teach creative writing, listen up. If you have strong students, don’t think that sending them to an MFA program is the only way to help them pursue their dream. Send them to MWW. Remember a few months ago, I asked, Should we make it our business to teach the business of creative writing? The response to that post was a resounding, Yes. Writers conferences are one way we can teach our students about the “biz.”

9.  If you read this blog because you’re an aspiring writer, listen up: I know you write and read and edit alone. You go online to find community and advice about what comes next. But you need to find community IRL. You need to stop Googling “How do I publish a book?” You need to fork out some dollars, because believe me, there’s nothing like spending some money to help you start taking yourself a little more seriously. You need to actually show up to an actual brick and mortar building where others like yourself have also shown up.

10.  I know I said this already, but this conference is in Indiana. Not in Boston or New York or even the bucolic Florida Keys. It’s in Muncie, Indiana. One reason why I left Indiana 20 years ago is that I believed you HAD to leave Indiana in order to be a writer (or an artist of any kind), but I came back two years ago because I wanted to help the next generation of Hoosier artists realize their dreams and become the people they want to be. When you’re poor or working class or live in a place where there isn’t a lot of literary activity, it’s not that easy to imagine yourself “becoming a writer.” That’s why bringing the publishing world to Indiana matters. A lot.

Will I see you there? This summer? Next summer for the 40th anniversary? I hope so. And do you know someone in the Midwest who wants to be a writer? Send them this link. Thank you. 

What They Wrote About: This Novel-Writing Teacher Reflects

What They Wrote About: This Novel-Writing Teacher Reflects

Teaching Writing

 

Here are the (purposely vague) premises of all the novels my students wrote this semester. I have indicated the writer’s gender thusly: (Italics = Male writer, Regular = Female student), and I’ve grouped the descriptions to reflect the particular critique circles I formed and placed them in. Meaning students in Class 1, Group 1 read each other’s manuscripts ONLY.

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My Students: Writing as Fast as They Can

Teaching

I want to introduce the two students who won the Total Word Count Challenge in my novel-writing classes: Sarah Chaney and Kayla Weiss. Each of these young women wrote over 42,000 words this semester, or about 3,500 words a week for 12 weeks. What’s significant about this is that they were only required to turn in 2,250 words per week—an assignment called “Weekly Words” which I talk about in detail here—but they both exceeded that amount…and then some.

Observations

I’d say that half of the students who took my class this semester walked in the door with a definite idea for a novel they very much wanted to write, and Sarah and Kayla were certainly in that group.

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