This Blog is Lore: How We Talk about Teaching Creative Writing

Teaching
This is me in 1997 when I got my first TT teaching job at Mankato State University.
This is me in 1997 when I got my first TT teaching job at Mankato State University.

This blog began because I like to talk about teaching. I always have.

I stepped in front of a class for the first time in 1991.

I was a rookie grad student, and once I got over my stage fright, I realized that teaching is like an incredibly interesting puzzle or math equation that always needs solving.

It’s absorbing, fascinating work.

And I love to talk shop. It’s my virtual teacher’s lounge.

Teaching Creative Writing

Next semester, I’m teaching a grad course called “Teaching in English Studies: Creative Writing,” which is offered every other year.

Given how much I like to talk teaching, you’d think I’d be really into teaching this course, and I am! But it troubles me, too, and it relates to the things that trouble me about the position of creative writing in English departments, and the things that trouble me about the work I put into this blog. Continue reading

The Top 5 Most Popular Posts on the Big Thing–and Why

Writing

dems_top_5_101It’s almost the end of the year, plus I’m nearing the third anniversary of The Big Thing, a blog I started so that I could talk more about teaching writing.

I’ve been looking at my stats, seeing what I can learn.

Here are my most popular posts, according to Google Analytics:

This one about visiting Linda’s grave.

  • Why is it so popular? Every time someone sees De-Lovely, they Google “Linda Porter Rose” and boom, they find me. I get at least one comment on that blog post every other week. Continue reading
This is the 7th Time I Taught Novel Writing

This is the 7th Time I Taught Novel Writing

Teaching
Beta Group 1 meets while the rest of the class gets some writing done.
Beta Group 1 meets while the rest of the class gets some writing done.

End-of-Term Observations

As you probably noticed, I didn’t blog much about teaching this course this semester.

I think that’s because I’ve almost got it “down” now, which is a relief after three years of tweaking!

What They Wrote

This is the seventh straight semester I’ve taught this course, and it always works out that: of 15 students

  • about a third write realism
  • about two thirds write something else

Continue reading

Most Words Drafted–Fall 2013

Teaching

Here are the winners of the Most Words Drafted competition in my novel-writing class. The whole semester of this course is archived here.

First place: Liz Winks

LizLiz wrote 64,309 words this semester. Her satirical novel is entitled The Grand War: or, How We Screwed Over the World to Get What We Wanted. She plans to keep writing during the break and the spring semester until she’s got a first draft–and given her amazing productivity, I have no doubt that she’ll do it, too.

You can follow Liz’s main character Otto von Visscher on Twitter. He’s a scientist.

I asked Liz to talk about how she got all this writing done this semester. Here’s what she said. Continue reading

What I Learned from John Keeble

What I Learned from John Keeble

Teaching

I attended the University of Alabama’s MFA program between 1991-1995. During that period, I took two workshops with writer John Keeble, a visiting writer who taught at Eastern Washington University. He made a great impression on both my writing and my teaching.

In fact, the title of this blog, “The Big Thing,” comes from Keeble. I wrote about that here, and how I might not have written The Circus in Winter had he not changed the default setting of a pivotal workshop.

Here’s something else I learned from him.

Plant the Seed of Your Story

In workshop, Keeble talked to us a lot about “planting the seed of your story.” Once you figure out what your story is really about, you have to return to the the first page, the first paragraph, the first sentence! and plant the story’s “seed” that you will nurture and grow for the next 5-30 pages. Continue reading

Is Gaming Bad for Fiction Writers?

Is Gaming Bad for Fiction Writers?

Teaching Writing

The other day, I was reading an undergraduate student’s novel in progress, and a thought occurred to me. As I often do, I shared that thought on Facebook:

I’ve never played a video game, but I recognize that it’s a narrative experience that lots and lots of people value. No judgement. But in my fiction-writing classes, I often read stories and novels that read as if I’m watching someone else play a video game. There’s plot, action, scene, all great, but virtually no interiority, which for me is *absolutely necessary* in fiction. My students have always used films and TV shows to talk about fiction, but now they also reference video games. “This is like Bioshock,” for example, and I have no idea what that even means. I wonder if other creative writing teachers have noticed this quality in student fiction or these references? I wonder if people who play video games could give me some tips about how to help my students make the transition from gaming to writing narrative. P.S. Over the last few years, I’ve read lot more genre fiction (George R.R. Martin, Suzanne Collins, etc.) so that I could at least be familiar with the kinds of stories students borrow from, but I really don’t want to start playing games.

I made the comment public and a great conversation ensued. As of right now, there are 80 comments–from gamers and non-gamers, from creative writing professors and students, from friends and strangers. The conversation was passionate. I invite you to read the comments here. Continue reading

What I Learned from Tim O’Brien

Teaching
Summer 2001 at Sewanee. I started smoking again that summer just so that I could hang out with O'Brien a little more. I was young and foolish.
Summer 2001 at Sewanee. I started smoking again that summer just so that I could hang out with O’Brien a little more. I was young and foolish.

Every Tuesday, I talk about teaching, and this is the third in a series of posts on what I’ve learned from the writers I’ve studied with.

For the last two weeks, I talked about Michael Martone. This week, Tim O’Brien. During the summer of 2001, I attended the Sewanee Writers’ Conference and spent two weeks in his workshop. Here’s some of his advice I brought back with me. Continue reading

Teaching Tuesday: Michael Martone’s Hypoxic Workshop

Teaching

cg2The Opposite of the Hypoxic Workshop

I’ve always been a firm believer in the power of critiques. Lately however, I’ve started calling them “Critique Essays.”

“Don’t treat these like off-the-cuff responses,” I tell my undergraduates. “You’re writing a paper about a work of fiction–only it’s still in progress.”

As much as I hate the word “paper,” it’s a word that students understand. It means they have to analyze. They have to say what they mean as clearly as possible, back up their points, refer directly to the text, etc.

I give them a rubric, a template that describes in detail how critiques should look, what I want them to include. Here is my assignment sheet for writing critiques. Day, Critique Essay Directions

And then I grade them. I give out a lot more C’s and D’s on these than on any other assignment in the course. Continue reading

Every Day We Write the Books: Please, Contribute to My Tumblr

Every Day We Write the Books: Please, Contribute to My Tumblr

Writing

Selfies + Accountability

During the summer of 2013, I wanted to keep track of how many days I wrote. Like making a big fat X on a calendar. Except I don’t use a physical calendar anymore.

So I hit the Photo Booth icon on my Mac and took a quick picture, and it was saved by the date. Here’s one from May 17.

 

It’s how I kept myself accountable all summer. Sometimes I took a picture from the POV of my computer, sometimes from my POV looking at my computer.

June 22, 2013

I used to use 750words.com a lot. I liked sharing that a writing session had taken place, similar to how I can share an exercise session has taken place on MapMyRun. I liked that all my friends were using 750words. It felt like we were all in it together.

So at the end of the summer, I made a Tumblr that anyone can contribute to. It’s called Every Day I Write the Book.

Perhaps you think sharing info like this is bragging or narcissistic?

Well, screw you. This is for the rest of us.

This isn’t like Selfies at Funerals or Selfies at Serious Places.

This is like, Hey look at all these people who are writing! 

Writing Accountability Tools

There are many ways to hold yourself accountable as a writer.

I have many writer friends who post weekly or daily updates on FB about how many words they’ve written. Personally, I like getting this information. It keeps me motivated, and they do it, I imagine, because it makes them accountable.

But yeah, I know, it gets to be too much sometimes.

Selfies

Then there’s the fact that this Tumblr is about WRITING ACCOUNTABILITY and SELFIES. At the same time!

I don’t do selfies much. I have complicated feelings about them.

I like sharing. I like offering support. I like seeing what people are wearing or that they’ve lost weight or that they’re happy or that they’ve developed a six pack or that they like their new haircut. Yay!

But yeah, I know it on the other hand, it all feels like too much sometimes.

The rules

Every time you sit down to work on your book, take a pic. Of yourself or where you’re sitting.

Keep it clean.

Be real. No sprucing or preening.

Don’t show off.

Use this to keep yourself accountable and motivated.

Submit here.

[Let’s see if this works…and how it works.]