There’s a long history of articles about the impact of MFA programs on contemporary literature. The latest addition to this oeuvre is “How Has the MFA Changed the Contemporary Novel?” just published by The Atlantic. What’s different about this one: the authors fed 200 novels into a computer–100 by writers with MFAs and 100 by writers without MFAs–and used computational text analysis to study the diction, style, theme, setting, and characters of these novels.
Here are my thoughts:
Creative writing has become a big business—it’s estimated that it currently contributes more than $200 million a year in revenue to universities in the U.S.
I’m not sure how to evaluate this figure since the authors have linked to a 51-page pdf of Mark McGurl’s book The Program Era, which I have read. I just spent about ten minutes of my life scrolling through that pdf to find that $200,000 figure, but gave up. Which makes me wonder why the authors couldn’t have simply said, “According to Mark McGurl…” Another thing I wonder is if this figure includes only tuition payments or if it also includes the savings to universities–who are able to pay MFA candidates a small salary and NOT offer them health insurance (compared to paying TT or contingent faculty) to teach first-year writing courses.
We collected a sample of 200 novels written by graduates of MFA programs from over 20 leading programs (including Columbia, University of Texas at Austin, Iowa, and others) that have been published in the last 15 years.