First, an anecdote.
I “met” Jenny Smith when I was teaching at the University of Pittsburgh and she was a graduate student at Indiana University. She’d decided to write her dissertation on the short-story cycle/linked stories/novel-in-stories form, and one of her classmates at IU, Pat Maley said, “You should read The Circus in Winter.”
Pat, you see, had been one of my students at The College of New Jersey, which is where I taught before Pitt.
When I heard that someone from Indiana was writing her dissertation on the linked stories form, I got really excited. I agreed to be interviewed by her. “So, you went to Ball State?” I said. “My brother went there.”
At the time, I had no idea that the book would be adapted into a musical by Ball State students, nor that I’d later end up teaching there.
Periodically, I wondered, “Whatever happened to that person who was writing her dissertation on the short story cycle?”
The book was adapted into a musical, and Pat wrote about it for Stage magazine. He even came to the NAMT festival so I could hang out with him. He’s a professor now, too, at Centenary College in New Jersey.
And then today, I took a good look at a recent post on our department’s blog. It went up last week, but I hadn’t read it yet. Jenny Smith? Why is that name so familiar. Then I got to the end of the post. Oh! It’s her.
Jenny teaches at Concordia University in Chicago and her book Provisional Identities: The American Short-Story Cycle will be out soon with Rodopi. Hooray!
Here is her dissertation, “One Story, Many Voice: Problems of Unity in the Modern Short Story Cycle.”
And here is her article from TriQuarterly, “Born in the Workshop: The MFA and the Short Story Cycle.”
Thank you, Dr. Smith, for doing this work.
And thank you universe for bringing her to my little book.
[This is a crosspost between #iamlinking and The Big Thing.]