This Blog is Lore: How We Talk about Teaching Creative Writing

Teaching
This is me in 1997 when I got my first TT teaching job at Mankato State University.
This is me in 1997 when I got my first TT teaching job at Mankato State University.

This blog began because I like to talk about teaching. I always have.

I stepped in front of a class for the first time in 1991.

I was a rookie grad student, and once I got over my stage fright, I realized that teaching is like an incredibly interesting puzzle or math equation that always needs solving.

It’s absorbing, fascinating work.

And I love to talk shop. It’s my virtual teacher’s lounge.

Teaching Creative Writing

Next semester, I’m teaching a grad course called “Teaching in English Studies: Creative Writing,” which is offered every other year.

Given how much I like to talk teaching, you’d think I’d be really into teaching this course, and I am! But it troubles me, too, and it relates to the things that trouble me about the position of creative writing in English departments, and the things that trouble me about the work I put into this blog. Continue reading

Most Words Drafted–Fall 2013

Teaching

Here are the winners of the Most Words Drafted competition in my novel-writing class. The whole semester of this course is archived here.

First place: Liz Winks

LizLiz wrote 64,309 words this semester. Her satirical novel is entitled The Grand War: or, How We Screwed Over the World to Get What We Wanted. She plans to keep writing during the break and the spring semester until she’s got a first draft–and given her amazing productivity, I have no doubt that she’ll do it, too.

You can follow Liz’s main character Otto von Visscher on Twitter. He’s a scientist.

I asked Liz to talk about how she got all this writing done this semester. Here’s what she said. Continue reading

Do the Math: Part 2

Higher Ed

Last week, I talked about “doing the math” (and by extension time management) here at The Big Thing. This powerpoint contained a slide that got my attention.

Screen Shot 2013-10-06 at 8.30.56 PM

I use Google Calendar to schedule meetings and appointments, but not writing time, teaching time, etc. I don’t compartmentalize my day that way–although maybe I should. My novel writing students and I were talking about time–how there’s never enough time to work on novels–so I showed them the picture and said, “C’mon. Let’s log in how we spend our time for one week.”

I went first.

How do I spend my time? I was already asking myself that question a lot because my P&T document and materials were due this past Friday.

Continue reading

Teaching Tuesday: Learn their Names

Teaching Tuesday: Learn their Names

Teaching

On the first day of any class I teach, I learn all their names.

First, I call roll. I request that they tell me:

  1. what they prefer to be called
  2. the name and location of their hometown

I learned a lot about the states of Alabama, Minnesota, New Jersey, and Pennsylvania this way, and now that I’m teaching back home again in Indiana, I’m familiar with most of the towns they name.

Continue reading

The Next Thing: Professionalization in Creative Writing

CW Programs Literary Citizenship Teaching

Careers (job search)Not every Creative Writing major wants to go to grad school, and to be honest, I’m not even sure if most of them want to be published writers. What brings them to our classes, I think, is a desire to be connected to the world of books. This essay by Dean Bakopoulos speaks to that desire.

Creative writing isn’t a pre-professional discipline. We’re not like some academic majors which prepare students for a concrete, discernible “next thing,” such as graduate study, this job, that career path. When my students say, “What I can do with this degree?” I talk about “transferable skills.” I point them in the direction of the career center. Continue reading

A Story about Creativity

A Story about Creativity

Teaching Writing

A long time ago, I was asked to be a part of a study about Creativity. I’m not supposed to reveal who sponsored this study, but suffice it to say it was well funded. Let’s call them the Company.

The Company sent me 50 poems, 50 stories, and 50 essays by 8th graders and said, “Using whatever criteria you desire, arrange each pile from Most Creative to Least Creative. In the top right hand corner, write a big ‘1’ on the Most Creative piece and so on down to 50. Then send the stacks back to us.” Continue reading

Last Lecture: What matters more: Story or Sentence?

Last Lecture: What matters more: Story or Sentence?

Teaching Writing

Every time I teach novel writing, I end the semester with a “Last Lecture” on a topic that’s been on my mind all semester long. Last spring, I wrote about learning to self-identify as a writer; this post, “Am I Writer?” has been viewed about 1,500 times. And Google Analytics tells me that people spend an average of eight minutes on this post–which is not that surprising when you consider how urgently people need an answer to that question. This semester, I’ve decided to write about whether a novelist should focus more on The Story or The Sentence.

Kameron and Kayla won my “Most Words Drafted Contest”? Why? What set them apart? 

Both wrote scene-driven fiction with lots of dialogue. They took my advice and “sketched” their novels, temporarily suspending concern for “good writing” at the sentence level and focused on “getting the story down.” Continue reading

“I can’t do this anymore.”

“I can’t do this anymore.”

Teaching

I’m having a real crisis.

I’m starting to wonder if teaching a novel-writing class with 15 students can really be done.

Let me explain.

This semester, I taught Advanced Fiction, a 400-level course at Ball State which I teach as a novel writing class. The course is capped at 15, and so, because I was assigned two sections, I had 30 students writing novels for me this semester.

Let’s do the math.

Continue reading

Last Lecture: “Am I a writer?”

Last Lecture: “Am I a writer?”

CW Programs Teaching The Biggest Things Writing


At the end of the semester, I give presentations in my novel-writing classes about the publishing business. Many students are seniors getting ready to graduate. Hence, they are full of anxieties. The first thing they say is: Why didn’t anyone teach us about this sooner!

This is what I tell them.

Continue reading

Novels vs. Stories in MFA Programs Survey Results

Novels vs. Stories in MFA Programs Survey Results

CW Programs Teaching

My plan was to release the survey results one question at a time via ruminative blog posts like this one on whether MFA programs are “anti-novel” or not and this one on the “professionalization” question.

But I’ve changed my mind. Many people wrote to me privately and said, I want to see the results! I’m curious! 

Also, I’m going to be under the weather for the next few weeks.

So: here are the results of my Novel in MFA Programs survey.

The faculty results.

The student results.

Tell me what you find interesting, surprising in these results, and when I’m back to my desk, I’ll talk about it!