What I Learned from John Keeble

What I Learned from John Keeble

Teaching

I attended the University of Alabama’s MFA program between 1991-1995. During that period, I took two workshops with writer John Keeble, a visiting writer who taught at Eastern Washington University. He made a great impression on both my writing and my teaching.

In fact, the title of this blog, “The Big Thing,” comes from Keeble. I wrote about that here, and how I might not have written The Circus in Winter had he not changed the default setting of a pivotal workshop.

Here’s something else I learned from him.

Plant the Seed of Your Story

In workshop, Keeble talked to us a lot about “planting the seed of your story.” Once you figure out what your story is really about, you have to return to the the first page, the first paragraph, the first sentence! and plant the story’s “seed” that you will nurture and grow for the next 5-30 pages. Continue reading

What I Learned from Tim O’Brien

Teaching
Summer 2001 at Sewanee. I started smoking again that summer just so that I could hang out with O'Brien a little more. I was young and foolish.
Summer 2001 at Sewanee. I started smoking again that summer just so that I could hang out with O’Brien a little more. I was young and foolish.

Every Tuesday, I talk about teaching, and this is the third in a series of posts on what I’ve learned from the writers I’ve studied with.

For the last two weeks, I talked about Michael Martone. This week, Tim O’Brien. During the summer of 2001, I attended the Sewanee Writers’ Conference and spent two weeks in his workshop. Here’s some of his advice I brought back with me. Continue reading

What I’ve Learned from Michael Martone

Teaching

Screenshot 2013-10-27 15.43.25For the next few weeks, I’m going to devote my “Teaching Tuesday” posts to some of my teachers (in and out of the classroom) and what I learned from them.

Lesson 1: Advocate For Your Homestate

Simply put, art is beholden to the kiln in which the artist was fired.

–August Wilson

On Saturday night, I went to the Indiana Author’s Award, which is also a fundraiser and swanky dinner. The event is intended to raise awareness of Indiana authors, encourage reading throughout the state, and raise the profile of the Library Foundation and its many good programs.

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Do the Math: Part 2

Higher Ed

Last week, I talked about “doing the math” (and by extension time management) here at The Big Thing. This powerpoint contained a slide that got my attention.

Screen Shot 2013-10-06 at 8.30.56 PM

I use Google Calendar to schedule meetings and appointments, but not writing time, teaching time, etc. I don’t compartmentalize my day that way–although maybe I should. My novel writing students and I were talking about time–how there’s never enough time to work on novels–so I showed them the picture and said, “C’mon. Let’s log in how we spend our time for one week.”

I went first.

How do I spend my time? I was already asking myself that question a lot because my P&T document and materials were due this past Friday.

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Teaching Tuesday: Do the Math

Teaching Tuesday: Do the Math

Higher Ed

I’m sort of nervous about this post. Let’s see how it goes.

It’s incredibly difficult to gauge how much work to assign students and how much work to give yourself. I think you have to be in a place for at least a year or more to get it right.

Here are some things you can do to avoid mid-semester meltdowns.

  • Ask to see a sampling of syllabi of the classes you teach; how much work do others generally assign? If they’ve been there for awhile, they probably know what works.

  • Are you teaching on quarters or semesters? Are the courses 4 credits or 3 credits?

  • Ask how many classes students generally take a semester. If they take four a term, your course will probably need to be a little more rigorous than if they take five or six a term.

  • Are they on the quarter or semester system? How many students will be in your classes?

Anecdote

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Teaching Tuesday: Learn their Names

Teaching Tuesday: Learn their Names

Teaching

On the first day of any class I teach, I learn all their names.

First, I call roll. I request that they tell me:

  1. what they prefer to be called
  2. the name and location of their hometown

I learned a lot about the states of Alabama, Minnesota, New Jersey, and Pennsylvania this way, and now that I’m teaching back home again in Indiana, I’m familiar with most of the towns they name.

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Teaching Tuesday: Mentor (and Be Mentored) Wisely

Teaching Tuesday: Mentor (and Be Mentored) Wisely

CW Programs Teaching

I take my job as a mentor pretty seriously. This blog–my whole social media presence, really–is an expression of my desire to mentor as many writers as possible.

Some of you are here because you’re writing students, and some of you are here as writing teachers.

These “Teaching Tuesdays” features are geared towards the writing teachers, although I’m sure the students will be interested, too.

Mentoring via New Media

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Teaching Tuesday: a new regular feature on The Big Thing

Teaching

[This is a “Teaching Tuesday” post. Every Tuesday, I’ll share something here about teaching: a link to one of my course blogs, a bit of advice, an exercise that works particularly well. This is also a cross post between “The Big Thing” and the “ABOUT” page of my novel-writing course blog, “#amnoveling.”

About #amnoveling

Yes, I turned “novel” into both a GERUND (my husband says it’s a participle, whatevs) and a HASHTAG. When I made up this word three years ago, I was trying to ride on the coattails of popular hashtags like #amwriting (I am writing) and #amreading (I am reading), but since then, I’ve decided that calling this class, this blog, this endeavor #amnoveling is important for two reasons.

  1. The class I teach isn’t on “the novel” (a static noun) so much as it’s about the process, the activity of writing one (a VERB).
  2. Most creative writing classes don’t focus much on writing process, on motivation and performance. But I’m interested in using social media (this blog, the hashtag, a private Facebook group) so that my apprentice novelists can develop a regimen, share their progress, connect with others.

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