Is Gaming Bad for Fiction Writers?

Is Gaming Bad for Fiction Writers?

Teaching Writing

The other day, I was reading an undergraduate student’s novel in progress, and a thought occurred to me. As I often do, I shared that thought on Facebook:

I’ve never played a video game, but I recognize that it’s a narrative experience that lots and lots of people value. No judgement. But in my fiction-writing classes, I often read stories and novels that read as if I’m watching someone else play a video game. There’s plot, action, scene, all great, but virtually no interiority, which for me is *absolutely necessary* in fiction. My students have always used films and TV shows to talk about fiction, but now they also reference video games. “This is like Bioshock,” for example, and I have no idea what that even means. I wonder if other creative writing teachers have noticed this quality in student fiction or these references? I wonder if people who play video games could give me some tips about how to help my students make the transition from gaming to writing narrative. P.S. Over the last few years, I’ve read lot more genre fiction (George R.R. Martin, Suzanne Collins, etc.) so that I could at least be familiar with the kinds of stories students borrow from, but I really don’t want to start playing games.

I made the comment public and a great conversation ensued. As of right now, there are 80 comments–from gamers and non-gamers, from creative writing professors and students, from friends and strangers. The conversation was passionate. I invite you to read the comments here. Continue reading

Celebrating (and Celebritizing) Teaching Creative Writing

CW Programs Teaching Writing

 

Today, Fiction Writers Review is running “Where Are We Going Next? A Conversation about Creative Writing Pedagogy (Pt. 1),” a co-written article by myself, Anna Leahy, and Stephanie Vanderslice. This lively, wide-ranging conversation took place during the summer of 2010 via email exchanges.

I just want to thank FWR for publishing this article. You might be wondering why it appears there and not in, say the AWP Writers Chronicle or a pedagogy journal. Well, the truth is, we did submit it to the Chronicle, but they passed, as is their right, of course. When we got the very kind rejection, we discussed what to do next. Where else do you publish an article about teaching creative writing? (I’ve discussed this problem at some length here.) Since most creative writing teachers don’t (won’t?) read pedagogy journals, we decided to shoot for more mainstream publishing venues. Our first priority was making these ideas “findable” and “share-able.”

I’d like to take this opportunity to make two suggestions that weren’t included in this conversation:

A keynote address on Teaching Creative Writing at the annual AWP conference. I would pay good money to hear anything Charles Baxter or Peter Turchi or Janet Burroway had to say about teaching. Why can’t Good Teachers be “celebritized” at AWP alongside the Good Writers?

More “teaching-creative-writing blogs.” This blog has invigorated my teaching in many wonderful ways, and it’s brought me many new friends. Yes, it takes time, and I know we all struggle to find the time to write, to teach, and to live our lives. In the midst of a busy life, why make time to write about teaching when it doesn’t “count” for tenure and promotion?

Because when you force yourself to articulate what you do and how you do it, your teaching improves.

Because. Teaching. Matters.