“KYLE MINOR notices that MFA programs are producing more good short story writers than good novelists. Many of my friends from many different programs have had difficulty, post-graduation moving from the short form to the long. Five-plus years into this novel, I’ve come to believe that the novel and the story are very different animals which might require different training.”
Over the weekend, I responded to a Facebook status update.
And so began an interesting exchange, lots of writers discussing their experiences as students and teachers. One of the responders, Michael Nye of The Missouri Review, just posted his thoughts on TMR blog. You need to read this.
Any veteran of fiction workshops can tell you: the short story is a more workable and practical pedagogical tool than the novel. Nye discusses this at length. I related to many of his frustrations, both as a former student and as a teacher and mentor.
However, I remain convinced that writing programs can (and should) accommodate both long and short-form fiction. I don’t agree that a writing program is only capable of teaching you how to write a short story, that graduates of fiction workshops must figure out how to write novels entirely on their own.
We can do it. We just have to start thinking outside the box we’ve been living in for 50 years.
Do you teach fiction writing in a creative writing program? Then read Kyle Minor’s FB thread. Read the responses to Nye’s blog post. Think about your own pedagogy. Talk about it here or elsewhere. If you’ve figured out ways to encourage novel writing in your classes, share your insights and ideas.
Because it seems clear to me that inquiring minds want to know.